Morgan Samuel Price
Altamonte Springs, Florida
Morgan sees light as a tool to explore the visual pleasure of the movement over the objects. Capturing that movement sets the time of day. Retaining that choice of actual time creates the plausible illusion. The painting is never about the subject; it is about the physical sensation of temperature.
At age 15, Morgan knew enough about painting to learn Sumi brush strokes. Even at 15, Morgan had the mindfulness to view her own practice and go learn specific skills to improve. No technical issue was going to hold Morgan back. Now, decades later, Morgan Samuel Price has technical skills few painters ever possess. Morgan will tell you that you make 22 decisions with each brushstroke and she can name them. You only develop technical skills like this with a very fine mind and the tenacity to use it.
Her professional career began in 1968 after graduating from Ringling School of Art. She began working at Hallmark Cards as an illustrator. She worked as art director of the News Herald in Like County Ohio. When she moved to Ardmore, Oklahoma with her young family she decided to become a fine artist. She lived in a town with no galleries, no museum, no art stores, and no art centers. When Morgan left Ardmore she was running art groups for doctors, lawyers, and developing painting skills of men, women and children. Morgan left Ardmore with 4 flourishing art stores because practically everyone around had started painting. She turned a small town in Oklahoma into a town with a thriving visual arts culture before she turned 30.
In the process, Morgan discovered she loved teaching as much as she loved painting. Many artists teach but not all see teaching itself as an art. Morgan did. Morgan learned to explain a single concept many ways. She tuned into how different people hear information. She put learning issues into treasure boxes. Because Morgan respected the art of teaching, Morgan became one of our most respected teachers of art.
Most of Morgan’s students can name the 23 most common design problems. Few probably realize she still examines every inch of her paintings to assure that she has not made those same mistakes herself. Morgan likely has the largest return rate of any painting teacher today. She remembers you and your work, even decades later. Within one painting Morgan knows exactly what you need to do next to be even better. She does not teach generally. Every word she speaks to a group or to a student is tailored, specific, and inclusive of your needs and everyone else in the workshop.
Morgan has authored two books: Turn on the Light, a touchstone to Plein Air Painting and Oil with a Basic Palette. She has produced over 14 DVD’s and numerous on-line Video Educational Products. Morgan has exhibited in 60 + National Exhibitions, Plein Air Invitational Events throughout the country and numerous solo gallery exhibitions. Price's work can be viewed online at: www.morgansamuelprice.com